|
1.0 |
The developing
art of accompaniment |
|
1.1 |
The emergence of the guitar in the
accompaniment of Irish music |
|
1.2 |
Profiles of leading players |
|
1.3 |
Accompanying tunes effectively |
|
2.0 |
Getting
started |
|
2.1 |
Guide to choosing equipment |
|
2.2 |
Developing a practice equipment |
|
2.3 |
Notation used in this book |
|
3.0 |
Guide to
tunings and accompaniment styles |
|
3.1 |
The structure of Irish tunes |
|
3.2 |
Strumming and picking patterns |
|
3.3 |
Tunings |
|
3.4 |
Tunes
accompanied in standard tuning
John
Brady's & Hexham races
Pretty
Peg & The baker
Flogging
reel & The whistling postman
Pigeon
on the gate & The Shaskeen reel |
|
3.5 |
Tunes
accompanied in dropped D: DADGBE
Fred
Finn's & Music in the glen
Julia
Delaney & My love is in America
Cooley's
hornpipe & The home ruler |
|
3.6 |
Tunes
accompanied in double dropped D: DADGBD
Eddie
Kelly's jig & Jerry's beaver hat
Pigtown
fling & Roly-poly |
|
3.7 |
Accompanying
tunes in DADGAD |
|
3.8 |
Tunes
accompanied in DADGAD
Mist-covered
mountain & The rakes of Kildare
Doctor
O'Neill & The mug of brown ales
The
trip to Athlone & The rambling pitchfork
My
darling asleep & Boys of the town
Shoemaker's
daughter & Dinkie's reel |
|
4.0 |
Appendix |
|
4.1 |
Theory
Chord
construction
Fretboard
diagrams
Chord
inversions & voicings, modal chords & modes, barre chords, slash
chords, relative minors |
|
4.2 |
Full listing of all chords used in the book |
|
4.3 |
Transposition chart |
|
4.4 |
Running order
of the accompanying CD |
|
4.5 |
Discography for recommended listening |
